- Analysis (9)
- Ancillary (3)
- Construction (1)
- Evalutations (4)
- Planning (26)
- Production (1)
- Research (54)
- Storyboard (1)
Friday, 23 September 2016
Friday, 16 September 2016
Differences and similarities between a theatrical trailer and a teaser trailer.
Textual Analysis of Student Work (William Guy)
Will has completed this analysis of another students work as part of the research for our own production
I enjoyed watching this trailer and I am keen to use some of the elements for our production. In particular I would like to make use of darkness in a similar way to how I discussed on slide 5 of the analysis because this I feel this is very effective and it also an important convention of Film Noir. However, I would avoid the psychological problem/possession theme because this is not very conventional of film noir and although we are planning on using some horror elements, our main genre is still film noir.
Thursday, 15 September 2016
Friday, 9 September 2016
Ancillary Task: Poster Analasys, Se7en (William Guy)
Blackhat, Ancillary Website Analysis (William Guy)
Will has conducted this textual analysis of the website for the neo-noir film "Blackhat". Although he had been analysing material from the film "Se7en" it either did not have a website or the website no longer exists, so he has chosen a different (but still relevant) film for this analysis
Influencial Film Noir Films
We are planning on replacing the Film Noir conventions we will struggle with, such as: a Femme Fatale with horror conventions, to create a hybrid film that will not require challenges that seem almost impossible to solve. Therefore, I have been completing research into Classic Film Horror trailers to keep the period similar so that we are not blending different and complicated conventions.
This trailer is influential for many reasons. Firstly, it is a 1950 film set in a black and white colour palette because of the limitations of colour at this moment in time. Therefore, modern day conventions are not used and this trailer ultimately follows the traditions and conventions used in all genres during this decade, meaning that it shares many similarities with a classic Film Noir. Furthermore, sans serif typography is used to clarify the action, likewise all Film Noir's use this convention. Old fashioned transitions are used and we are planning on incorporating these in order to relate to the time period and the aesthetic look we want the audience to view. Lastly, a monster is used as an antagonist in this trailer so we are planning on following this convention to replace the Femme Fatale and the stereotypical villains in a Film Noir, but we are not planning on using a monster like this for obvious reasons! Instead, we are thinking of a Vampire or another monster that can easily be played by a male.
Film Noir Directors
Robert Siodmak was a German Film Director best remembered as a thriller specialist and for a series of stylish Hollywood Film Noirs such as: 'The Killers,' 'Criss Cross,' 'Phantom Lady' and 'The Spiral Staircase.'
Alfred Hitchcock was an English Director and Producer, also referred as 'The Master of Suspense.' He was involved in pioneering many elements of the suspense and psychological thriller genres. Additionally, his well-known films are: 'Psycho,' 'Vertigo,' 'Rear Window' and 'Rebecca.'
Frank Miller is an American comic writer, artist and film director best known for his dark comic books and graphic novels such as: Ronin, Daredevil, 300 and Sin City. All of his films have a unique plot and visual quality.
All of these directors are influential for their different ways of creating a film, and we want to apply all of their traits to our trailer: suspense, psychological elements, unique plot, visual quality and a stylish and traditional Film Noir.
Sin City, Ancillary Poster Analysis (Hayden Woodcock)
Even though Eva Green's not a household name or a proven draw, the initial poster for "Sin City 2" was built around her image, in a clingy white dress that made her appear nude. The Motion Picture Association of America, the Hollywood lobbying group that oversees film ratings and movie advertising, balked. The controversy helped make the original artwork go viral, but that seems to have failed to persuade ticket buyers. Meanwhile, the controversy also kept Rodriguez and Co. from mounting a poster campaign in a timely manner. (http://www.moviefone.com/2014/08/25/box-office-sin-city-a-dame-to-kill-for/)
What are the main colours?
What is the purpose of this poster?
What are the messages?
What is the typography?
What is the target audience?
There is one intertextual reference, with "Frank Miller's" being placed above the title, linking it to the previous Sin City Film. This has the effect of drawing in an audience which enjoyed the first film, which is likely a large proportion of action film fanatics due to it being considered one of the best action films of all time. The poster features Hollywood names such as: Jessica Alba, Eva Green and Bruce Willis, boasting a high valued cast, increasing the audience desire to view this film. The implied sexuality will also attract the male audience because they stereotypically prefer a sexual vibe within a film as it is believed that they gain more pleasure. The use of the modern day actors appeals to mainly a young audience, whilst the use of Rourke, Willis and Liotta appeals to the elder demographics and traditional action fans. Additionally, the use of the weapons as a prop will also attract the male audience because in particular males are stereotypical more aggressive than females and profoundly a gender that prefers the conventional violence.Characters and background:
My reaction:
Horror Conventions (William Guy)
Will took a brief look at some conventions of horror because our production (despite primarily being film noir) is likely to contain some elements of horror.










